Thursday, December 26, 2019

Thoughts From A Burgeoning Producer


Now, I know that I'm new at this whole film and media producer, running your own business type of thing, (like only 3 years) as well as working as a or towards being a professional actor, of sorts (like only 7 years).  BUT!  But, I have read a lot of books, observed a lot of the greats,ie the professionals in my local area, and spent a fair amount of time in and out of the audition circuit to understand how this whole thing works.  AND!  And, I know that all situations and circumstances are different, people have differing views on the right and wrong ways to do things, and that I still have a lot of learn (well, don't we all?)

But, here's the thing...

We recently held a casting call for our feature film, Guilt, to be filmed next summer.  At the call, we had an assortment of the usual fair of talent in my local area, mostly young twenty-something female actors, as the main cast is made up of just that.  However, we did have a smattering of male actors show up to audition for some of the smaller yet supporting parts.  Underline "supporting" because there are no small parts, as they say, only small actors.  All parts included in a screenplay should have some value and as I learned in my acting classes every character, whether the lead to the supporting, has an interesting, valuable inner life that colors his or her experience in the story.  

So, we had one male actor make a snide remark in front of the director about the role he was reading for, that the part didn't have a name, etc.  It left a bad taste in my mouth towards that particular actor.  

Here's why: as an actor myself, I have always read and experienced that the notion of being nice and respectful goes further in an audition setting than anything else.  The protocol at an audition, that I have witnessed personally, is to go in, smile, slate your name, do the reading, answer any questions that are asked, say thank you, and walk out the door, not knowing whether the part will be offered or not.  Furthermore, even if the part isn't offered this time around, the high likelihood of being offered another role based on this audition experience is ensured if one facet occurs: were you a nice person?

Its really that simple.  Did you act like a jack-ass and appear entitled or were you just all around a nice guy/girl/nonbinary human?

Over the last year, what I have experienced in my life is an influence of the toxic element of humanity that has at times left me running for the hills, or rather, the comfort of my own abode and/or those individuals whose love I have assured I can trust.  These experiences have not only left a sore spot in my heart but have left me leery in my interactions, not just personally, but also in a business mindset.  

So, what's the take away here? How can you win favor with not just me but also those you are applying for a job or auditioning for a role?

Be a nice human.  Its just that easy.  Try it sometime. 



Tuesday, December 24, 2019

Goddess As Mother

Kate Southern as Wendy Darling in Neverland

This last year has been a transformative year in the realm of my personal spiritual understandings.  For the past 9 years, I've remained sort of 'undeclared' when it came to aligning myself with a certain spiritual idealogy or religion, due to the troubles I experienced while practicing conservative Christianity.  However, the magic of defining my beliefs in the construct of a 'religion' was a journey that led me back to my early roots in my teenage years.  In short, I was led back to Wicca.  

It all started when I was cast in two plays back to back that dealt with feminine empowerment, that of  Vagina Monologues (once again I went down that rabbit hole, or perhaps different holes, as it were), and that of Dixie Swim Club (which chronicles the history of five female friends throughout the changes of twenty years of their lives together and apart) of which influence led me to a deeper understanding of the power of the feminine divine connection within us all.  In addition to that, I was filming season two of my production company's original webseries, "Nate & Laura & How They Met" which highlighted the power of female friendship in helping women pursue their highest calling and purpose in life.  The mixture of all three of these experiences and the characters infused within me gave me a deeper appreciation for my connection to the divine Goddess.  Furthermore, my connection, sometimes postive and sometimes negative, with my female co-stars helped deepen my understanding of the depth of layers within each of us in all of our connection to the divine feminine.

With that, I took a pause after completing all three productions and rested for a few months before heading into rehearsal for the adaptation of Peter Pan, "Neverland" put on by the Applegate based professional theatre company, "Wanderlust Theatre Company".  I was cast as "Tootles", the lost boy.  As I prepared for the role, I originally thought that the lessons gleaned from this production would be that of becoming in tune with the divine masculine, as the spring months had been a focus on the feminine.  But, as is always the case, the Universe had a different lesson to impart.  

Valerie Harper
8/22/39-8/30/19

This last August, the great Valerie Harper passed on, succumbing to her ongoing battle with cancer.  This caused my soul to pause and reflect back on my childhood adoration of Valerie from her 1980's show, Valerie's Family.  In that, she played the warm, funny, engaging mother of three boys.  I admired her greatly and saw her as the epitome of what a mother should be.  If Harry Anderson was my TV dad then Valerie Harper was my TV mom.  (Really, Universe, in 2018 you took my dad, in 2019 you took my mom, thanks a freaking lot!)  

So, the focus on my character, Tootles, took a drastic shift from my connection with my masculine side to my need for a mother.  As I followed the journey of Tootles in his adoration and connection with his new mother, Wendy (expertly played by Kate Southern, see above), I felt the relationship and the story wash over me, rooting itself deep within.  As Wendy gathers her boys around for story time, telling them about the mother's heartbreak over the loss of her children, but enduring patience in the knowledge that they will one day return, I gazed up into the heavens and felt the smiling, watchful eye of Valerie ever watching over me and a healing warmth filled my soul.  

Photo Courtesy of Wanderlust Theatre Company
In this photo, left to right, Tiffany Schechter, Hannah Schechter, Kate Southern,
Brandon Kinsey, Julius Pratt, and Lia Rose Dugal

Most assuredly, it wasn't that of Valerie Harper but she represents a visual of the invisible, that of the divine Goddess.  This time not as friend or sister, but as supreme mother.  And so I say with Tootles:

“I do like a mother's love,” said Tootles, hitting Nibs with a pillow. “Do you like a ... Ah, now we are rewarded for our sublime faith in a mother's love.'---J.M.Barrie

Tuesday, December 10, 2019

I say, what adventure shall we have today?

I say, what adventure shall we have today?

Jessica Jae Unker as Peter Pan in
Wanderlust Theatre Company's Neverland

We spend an exorbitant amount of our days going through the motions.  We check off our lists one by one as we finish our daily chores, after dragging ourselves sleepily from our beds in the morning, groaning.  Then, as the day continues lagging forward, we count the minutes until we can head home, tear off our 'glad rags', curl up in our pajamas, and drift happily into mindlessness as we numb ourselves out before the television or mobile devices, seeking to forget the dreariness of our daily existences.

Is this the life we dreamt about when we were children, anxious to grow up and experience all that life had to offer? Is this truly what life has to offer?

Most of us do not have the fabulously glamorous lives of Hollywood movie stars or IG influencers, but we can recover the magic of our lives if we would allow it.

Last summer, I participated in the amazing production of "Neverland", a debut production from Wanderlust Theatre Company.  Each morning of our Neverland adventure, our Peter, played by the talented Jessica Jae Unker (see above photo) would address myself and the other Lost Boys with this question, "I say, what adventure shall we have today?"  In the play, we'd always come up with some truly outlandish and child-like imaginative adventures, such as hunting the fattest Neverbeast to the greatest make-believe meal you could ever imagine!  

But, one day during the production, a thought flitted across my mind as I was bouncing across the "stage" (it was outside migratory theater) as my character,Tootles.  Why can't I make every day an adventure regardless of the activity? Why indeed? 

Children are like this.  Each day they awake with the magical wonderment of the excitement of the newness of each day.  It's only as they age and continue through life, having more and more responsibilities thrust upon them, that they begin to lose that joy.  As we all grow, we lose sight of the magic of life.

The next question is, can we reclaim it? And if so, how?

I think it starts by daily deciding to make every day an adventure.  Perhaps, we can ask ourselves as Peter Pan did, "I say, what adventure shall we have today?"  Then, as we go about the business of checking off the to-do list, we can look at each moment, each experience, whether minute or trivial, as a little adventure.  As we do this, the magic of life will return in abundance.

That said, what adventure will you have today?