Wednesday, June 26, 2019

Local Art Model Isn't Afraid To Let It Roll!


Maggie Racich is local art model, burlesque dancer, actor, and director, having recently moved here with her partner, Jimmy.  She began her career as an art model in 2011 when, looking for a creative way to make some extra money, she joined a small art group.  As a child, Maggie's mother would chase her about trying continuously to re-dress her daughter as Maggie screamed "Take it off" while removing said items, thus Maggie has always been comfortable with her body and nudity.  As a child, she found a charcoal drawing of her mother's back and was enraptured by it.  Her mother explained that before children she modeled for the local community college.  Maggie loves the aspect of fine art and helping fine artists' improve their skill and birth their visions.  ( A side note: Maggie doesn't believe she is very photogenic, although with the above photo, I beg to differ.)

Following her venture into art modeling, Maggie, along with her partner, dove into burlesque dancing in 2014.  They became involved with a burlesque troupe in Michigan, one that helped empower them to create burlesque art with a circus twist.  She enjoys burlesque dancing because of the aspect of creating an art form that is participatory with both audience and dancer.  She loves the immediate audience connection and that she can be both campy and sincere in her performances.  She also admires the wide variety of talent and creativity involved with the art form of burlesque.  One of the most fascinating aspects, she believes, is finding creative ways through choreography to remove clothing and help the viewing audience feel comfortable with nudity as well as to learn to appreciate their being unclothed and feel empowered within themselves.

As an art model, Maggie loves the aspect of visual arts.  Although she herself is not inclined to that art form, she comes from a family of fine artists so she admires greatly that process.  The most challenging aspect of it, she says, is the physical aspect, finding both an interesting pose for the artist and one that won't injure her.  She believes art modeling enables her to be present with her body as well as to become meditative during the different poses.

Maggie was fortunate to come from a family that encouraged body positivity.  She also is aware that her body is in aligned with the social expectations for beauty, but even so has never really felt uncomfortable with her body image.  Because of this, she has never experienced much backlash from either art modeling or burlesque dancing, but has experienced some social disbelief and confusion from outside sources who see her as braver than them in that they would never be able to perform or model.  She is grateful for such a supportive family and upbringing that gave her such a comfortable sense of self.

However, there have been times of her life, like all of us, where Maggie has had insecurities towards parts of her body, ways that have brought her down and been debilitating to her emotional sense.  She says that at times she can show up to art modeling feeling 'gross and bloated' but throughout the session can become increasingly more comfortable and leave with a reset of a positive body image.
She realizes that in these times of insecurity and anxiety that these body concerns are not necessarily something she can change, so she has learned to love herself for who she is and how she shows up to be daily.

An artist once told Maggie, "Don't be afraid to let it roll" meaning that our imperfections are often the most beautiful facet of ourselves.

Art by Ann DiSalvo 

Fair/Foul Episode 7: The Final Chapter

Thursday, June 20, 2019

Lacy Knickers: Self Discovery Adventure Leads To A New Life


Over five years ago, our heroine, Lacy Knickers, ventured to take a class on Burlesque Dancing.  This was after seeing a Burlesque performance previously where she loved how inclusive it was as well as incorporated the facets of  being truly sex positive and body positive, including being truly theatrical and artistically creative.  As a writer, her thinking for taking the class was that she would write about her experience taking the class and how it shaped her self perspective.  With humor, Lacy says this venture might have been seen as a mid-life crisis as having just turned 41 at the time and having only just begin exploring long-hidden aspects of her sexuality.

This class led her to her first performance which led to more, she says she performs several times a month non-stop since then.  This art form has become her true passion and has led her to incorporate burlesque into other creative and artistic avenues.

Lacy first ventured into life as a producer when her friend and writer friend, Amber Keyser, approached her to help co-produce a burlesque show that would help launch Keyser's upcoming book, The V-Word: True Stories of First Time Sex.  The show was designed as a mix between reading aloud a short story from the anthology with burlesque acts between it that highlighted the emotional intensity of the piece.  Riding on the success of that show, Lacy was led to start the Booklover's Burlesque, which has now become an extremely successful show to be seen four times a year in Portland, Oregon.  Furthermore, Lacy is extremely excited to announce that Booklover's Burlesque will be having their second show in Seattle, Washington bringing the city their very special "Shakespeare Edition" on September 7th.  She is thrilled that these two aspects of art have taken flight as she herself loves both writing and burlesque.

 Lacy has enjoyed the aspect of expressing herself, her sexuality, and her identity through the art form of burlesque/draglesque, which includes writing scripts and producing shows, shows that inspire viewers on a visceral, emotional and physical levels to awaken to their own value and need for self growth and healing.  Making art in this way, she says, is a dream come true for her.  She goes on to explain that although intensely rewarding, it has also been the scariest and hardest job she has ever done in her life.

Part of this comes from the backlash she has faced from both family and society based on this career choice.  Most external sources in the overall society are  not apt to discuss or talk about this life-style endeavor, choosing to remain in a state of fear, misunderstanding and ignorance.  This saddens Lacy as she desires always to talk about such a favorite aspect of her life, one that has brought so much joy and love into her being.  However knowing how repressive society can be and how uncomfortable it is to discuss this type of thing, she never forces anyone to engage in a conversation.  However, she happily reports, many of her neighbors have attended her shows and have been not only very supportive but found them very entertaining and enlightening.

Sadly, due to extreme mental abuse, she has not had an open and satisfying relationship with her parents in a long time.  Consequently, she has not been able to share this new facet of her life and career with them, in addition to having any sort of familial ongoing connection.  She recalls in her younger days her mother chastising her to 'suck' in her stomach, reminding her that she was only attractive when she 'cleaned herself up' yet the rest of the time ugly, and informed Lacy regularly that her teeth and smile were unattractive.  At times she may suffer from the results of this abuse, she has found immense healing through burlesque and now draglesque, which has helped her to find the freedom to see herself as beautiful and sexy, in her own way of expressing herself, regardless if it fits society's or her mother's definitions.  Her value and her voice matters no matter how she looks, even if she isn't "cleaned up".

Even so, she very often deals with push back from society based on her career, saying it is like taking two steps forward only to have to take one step backwards.  She finds society's prudish views on sexuality (women, POC, the LBGTQ community, those over 30, and those with disabilities) the norms of the patriarchy, and even burlesque performers who do not like her particular brand of performance to be the most frequent enemies of her artistic endeavors.  Although this comes from a place of those who are afraid of change, Lacy believes it is her personal life mission to bring down that wall and usher in the realm of body positive and sex positive freedom.

It is a source of celebration for her to announce that after a five years, she has been able to 'come out' to her brother in law and sister in law about  her life style and career choice.  Their support and loving presence has helped her to finally begin healing from the pain that the absence of family connection has left in her heart and has allowed her to truly feel seen by a family member.

Find out more about Lacy by following her on Instagram @lacyknickers123.
You can find out more about upcoming performances at either: https://www.facebook.com/bookloversburlesque/ or on the soon to be released website: www.bookloversburlesque.com.  In addition, Lacy Knickers has a facebook page with detailed information about other performances she produces: https://www.facebook.com/lacyproductions/.








Monday, June 10, 2019

Burlesque Creativity: A Journey Towards Community & Self


Kat Wondergloom is a burlesque dancer, but even more than that, she is a creative force.  Locally and beyond, Kat is an active participant in the pursuit of creative work that is known for being dynamic and life-challenging.

She has a long history of performance art and creativity.  As a young child playing dress up with her sister, fighting over whose turn it was to wear the red and black tulle dress, and then putting on talent shows for her family, they would sing and dance.  This led to acting in a children's theatre troupe in middle school, opening up for her the love of the stage.  As she ventured into high school, she discovered an interest in the behind the scenes technical aspects of theatre, which included producing, a skill that landed her the "Best Producer" award her senior year.  During her sophomore year of college, Kat was introduced to Burlesque Queen Dita Von Teese which brought her into the world of Burlesque, fueling a hunger for more she launched herself into the study through books, podcasts, and other online articles.  Through all her research, fate, as it were, led her to an advertisement for a local burlesque troupe.  She contacted them and eventually she began performing.  They took her in and helped raise her.  One member, our Darby McCue, even refers to Kat as "her Burlesque daughter".  Through their positive influence, Kat discovered new abilities in herself, new love of and appreciation for her body and who she is, and with their support, produced and performed her own show, the "Rockin Pin Up Revue" in 2011 at a local bar.



What Kat loves best about burlesque is the sense of community she has developed through performing, a community that keeps growing and expanding, most recently with the Eugene, Oregon queer based group, "Unveiled", which has allowed her to explore what she calls her "less than conventional" queer art.  In addition, Kat enjoys the sense of empowerment that comes from performing and from her community.  Mostly she loves how strong and free she feels, realizing the control she has over the audience as she chooses the costume, the song, the choreography to dictate where they need to look, how to react.  Furthermore, she has been inspired by how empowering and life-changing burlesque can be for the audience.  Countless times, she will have people come up to her with gratitude after a performance, saying how her work has inspired them, how amazing it is to see a larger body type unashamed to revel in all its beauty.  This, she says with fondness, has even led some to pursue burlesque as well.

Even so, Kat has experienced some backlash from her art due to a misunderstanding of Burlesque.  She explains that it stems from a lack of understanding that it is truly empowering to the dancer as it gives them the choice and control over what to perform.  Not only does the dancer get to choose the song, the costume, the dance moves, but they can also decide what to take off or keep on.  Its about being comfortable, you get to make every decision in your dance.  Its the dancer's opportunity to detail their opinion, fetish, or caricature in a safe, affirming place.



Kat admits that she, like everyone, has experienced some body issues and negativity in her life.  But, through burlesque, she has discovered and finds magical about it is that it empowers and appreciates all, regardless of gender, race, body type, age, or disability.  For example, the type of dancer referred to as Legends, those that are still performing into an advanced age, are greatly revered within the burlesque community.  In addition, she specifically makes it a point with her production, Love, Lust & Leather, to employ dancers of color, as well as a variety of genders, body types, age, and disabilities.  It's truly about empowerment and helping all to truly love themselves.

A challenge that Kat has faced with her career has been what most artists are continuously battling, that of knowing your worth as a performer and having the confidence to ask for financial compensation.  Generally, society devalues all the hard work that goes into producing quality art, taking it for granted and in a very real sense under-appreciating the dedication of the artist.  It's an uphill battle for any artist to overcome and one of which Kat is doing a beautiful job with her own self-work as well as inspiring other artists to continue to grow and develop their self worth, confidence, and value.

You want more of Kat.  Check out her and other performances at upcoming Love, Lust, & Leather shows:

Saturday, July 13, 2019
Talent Club, Talent, OR
10 pm, 21+
For tickets: lovelustleathertalent.bpt.me

Saturday, August 17, 2019
Labor Temple, Astoria, OR
10 pm, 21+

Take a minute to "like" Love, Lust & Leather on Facebook.  You can also follow Kat on Instagram @katwondergloom and support her on Venmo @katwondergloom.