Showing posts with label Tootles. Show all posts
Showing posts with label Tootles. Show all posts

Tuesday, July 21, 2020

Tootles: Divine Masculine Meets Divine Feminine

Me as Tootles from Wanderlust Theatre Company's debut
production of Neverland

Amongst my many soul searching quests these last few years, I have done the inner work of seeking to know the realness of the divine as masculine and feminine.  As most of the readers know, I spent a degree of my youth in and around the fundamentalist denomination, Calvary Chapel, and part of my deconstruction of that worldview has been how do I understand this notion of divine and what spiritual path to follow now that I no longer view life as a Christian.  (A side note: I still believe Jesus is the shit and worthy of respect based on his own teachings and viewpoints found not just in the bible but in many a variety of spiritual texts and understandings.)  

All that to be said, I have listened to a ton of podcasts and read a ton of books that express the notion that the divine contains both masculine and feminine.  In my past when I labeled God as "He", I would experience push back from others who believed the divine to be feminine.  My thinking at the time and today is that the divine is not merely both but similarly above and beyond that which we know as our limited gender binary system.  This is truly reflected in society's changing belief in the conformity of both male and female as many express themselves as nonbinary, transgender, and the like.  This is progress and as all change warrants is a transition that causes some upheaval yet that turmoil will result in a new healthier world.  I applaud those that express and come out as the journey in this lifetime for all of us is to express and be fully and authentically ourselves, however that may be.

Last summer, I had the honor to be cast as Tootles, the Lost Boy in the debut production of Wanderlust Theatre Company's "Neverland", an adaptation of Peter Pan.  The actor preparation started before I was given the part as I reflected on what it meant for me, a very cis-gender female, to be portraying a little boy.  Even more interesting to reflect on was that a few months earlier I had the experience of performing in three different productions (two theatrical, one film based) that highlighted the character's individually and relationally of strong female empowerment and, in a very real way, was that of the divine goddess.  That spring I found myself more and more empowered by the reality of the divine feminine in all aspects of my life through that creative work.  (Still do!)

As I read both the script adaptation and the book written by J.M. Barrie, I began to see that, although Tootles was 100% a little boy, he also carried attributes within that could be considered more feminine.  Softer and a bit more fragile than his brothers, Curly and Slightly, he was often teased by his companions.  He was delighted, very fond of, and close to his Mother Wendy but equally loyal to his Father Peter, although at times they butted heads.  Although he participated in the rambunctious boy games of hunt and sport, he was not as active as those of his brothers or Peter.  He was at home with the quietude of domestic life.  He loved literature and would often spout off on long, winding monologues of Shakespeare to prove some kind of point or to relieve his anxiety, resulting in the target of his brothers' repulsion.

Tootles with his brothers, Slightly (L) played by Tiffany Schechter and Curly (R) played by
Brandon Kinsey.

It is not a positive attribute of our society that the idea of loving literature and domestic life is seen as more feminine than masculine.  Truth be told, I have many a male friend that fall into these traits, however, it must be said my male friends are those that partake in the artistic community, so there's that.   But, all that aside, I found in my journey playing Tootles, the inward discovery of the truth of the divine masculine and divine feminine living fully, uniquely, and equally within myself.  I may have a propensity to lean more towards the feminine and that is my truth, but I now see that there are positive attributes of the masculine that I know as mine.  I credit my Tootles as helping my discovery in that.

With that, my hope is that all can come to this understanding of themselves, whether it be within the construct of divine or just the freedom to understand both aspects of gender within themselves and then be able to live that fully and truthfully.  For it is true for all of us, that our most express purpose on this earth is to become wholly ourselves, authentically and truthfully.

Got thoughts on what I wrote? Comment below.  I will respond.

The Thriving Artist is a subset of Cafe-Girl Productions, Inc.  If you wish to support Cafe-Girl Productions, Inc, go to: www.patreon.com/cafegirlproductions


Tuesday, December 24, 2019

Goddess As Mother

Kate Southern as Wendy Darling in Neverland

This last year has been a transformative year in the realm of my personal spiritual understandings.  For the past 9 years, I've remained sort of 'undeclared' when it came to aligning myself with a certain spiritual idealogy or religion, due to the troubles I experienced while practicing conservative Christianity.  However, the magic of defining my beliefs in the construct of a 'religion' was a journey that led me back to my early roots in my teenage years.  In short, I was led back to Wicca.  

It all started when I was cast in two plays back to back that dealt with feminine empowerment, that of  Vagina Monologues (once again I went down that rabbit hole, or perhaps different holes, as it were), and that of Dixie Swim Club (which chronicles the history of five female friends throughout the changes of twenty years of their lives together and apart) of which influence led me to a deeper understanding of the power of the feminine divine connection within us all.  In addition to that, I was filming season two of my production company's original webseries, "Nate & Laura & How They Met" which highlighted the power of female friendship in helping women pursue their highest calling and purpose in life.  The mixture of all three of these experiences and the characters infused within me gave me a deeper appreciation for my connection to the divine Goddess.  Furthermore, my connection, sometimes postive and sometimes negative, with my female co-stars helped deepen my understanding of the depth of layers within each of us in all of our connection to the divine feminine.

With that, I took a pause after completing all three productions and rested for a few months before heading into rehearsal for the adaptation of Peter Pan, "Neverland" put on by the Applegate based professional theatre company, "Wanderlust Theatre Company".  I was cast as "Tootles", the lost boy.  As I prepared for the role, I originally thought that the lessons gleaned from this production would be that of becoming in tune with the divine masculine, as the spring months had been a focus on the feminine.  But, as is always the case, the Universe had a different lesson to impart.  

Valerie Harper
8/22/39-8/30/19

This last August, the great Valerie Harper passed on, succumbing to her ongoing battle with cancer.  This caused my soul to pause and reflect back on my childhood adoration of Valerie from her 1980's show, Valerie's Family.  In that, she played the warm, funny, engaging mother of three boys.  I admired her greatly and saw her as the epitome of what a mother should be.  If Harry Anderson was my TV dad then Valerie Harper was my TV mom.  (Really, Universe, in 2018 you took my dad, in 2019 you took my mom, thanks a freaking lot!)  

So, the focus on my character, Tootles, took a drastic shift from my connection with my masculine side to my need for a mother.  As I followed the journey of Tootles in his adoration and connection with his new mother, Wendy (expertly played by Kate Southern, see above), I felt the relationship and the story wash over me, rooting itself deep within.  As Wendy gathers her boys around for story time, telling them about the mother's heartbreak over the loss of her children, but enduring patience in the knowledge that they will one day return, I gazed up into the heavens and felt the smiling, watchful eye of Valerie ever watching over me and a healing warmth filled my soul.  

Photo Courtesy of Wanderlust Theatre Company
In this photo, left to right, Tiffany Schechter, Hannah Schechter, Kate Southern,
Brandon Kinsey, Julius Pratt, and Lia Rose Dugal

Most assuredly, it wasn't that of Valerie Harper but she represents a visual of the invisible, that of the divine Goddess.  This time not as friend or sister, but as supreme mother.  And so I say with Tootles:

“I do like a mother's love,” said Tootles, hitting Nibs with a pillow. “Do you like a ... Ah, now we are rewarded for our sublime faith in a mother's love.'---J.M.Barrie