I have yet to write a blog about having celiac disorder or my gluten intolerance lifestyle, even though the web address on this blog says not another blog about celiacs....that is particularly because there are so many blogs out there on such content and as I thought of that idea I realized it was too common, in a word, competitive (the latter of which I don't need any more of than in my life as an actress). Moreover, I have never fully explained why the address is that, other than the fact that my readers (are you out there?) have seen many titles and topics file through this blog from that of a "former" illness to spiritual beliefs and how they relate to the greatest TV show ever made, (well, one of them) Doctor Who, and now most recently my thoughts on community theatre, character studies and research of that fashion, and thoughts on acting in general. But, why then this particular address?
The answer, of course, is because about two years ago I took a blood test and found out I had full blown celiac disorder. I had suspicions of something of this for years before, even thought I was anorexic at one point but really it was the psychological revulsion my body had to foods, whether I ate them or not, not based on calorie content or weight gain. My body instinctively knew that these foods were poison to me.
A few years back in about 2008, my dear friend, Amber, at a church told me of her diagnosis and discovery of her celiac disorder. As she explained her journey, it lined up completely with mine in that of the anger outbursts, the crying spells, etc and that conversation stuck in my brain as a possibility until I finally got the prick and subsequent diagnosis in 2012. (Yes, I had to wait that long for healing!) Hitherto, I regard Amber as my angel of healing, in a sense, and think of our meeting as not merely a coincidence. Thanks, Amber!
So, all that to say, I would like to focus this entry on my first attempt at writing a review as it were on a a restaurant I ate at while on a trip to see family and friends in California and to offer the readers a glimpse into the life in celiac-land.
When my dear friend, Oscar Not A Grouch found out I was going to be visiting, he immediately offered to take me out to brunch. I, of course, explained my dietary restrictions and my concern over the high cost of gluten-free food. He assured me that he would do his best to find affordable foods that I could eat and suggested we dine at the cafe his brother works at, Dierk's Midtown Cafe in Santa Rosa, CA. I explained how sensitive I am, in that, foods that have wheat and gluten (even the very surface) have to be completely separated and sterilized from foods without. (Every time I go out to eat, I not only have to ask the wait person for a gluten-free menu but I ask if the foods are completely isolated from other foods; sometimes I get rolled eyes and snappy remarks as if I am some sort of a prima-donna but of late I find more restauranteers that are not only very helpful but sympathetic to my very needs.) Oscar and I agreed upon brunch and he invited our mutual friend, Jennifer, to meet us there.
Upon arriving at the cafe (after picking up Oscar Not a Grouch), his brother, Arturo came to our table, assured me he would do his best to make sure the food was the gluten-free as gluten-free can be, and even recommended the best choice on the menu, a fritata sort of thing with tons of yummy veggies, and informed me to ask for it without the regular sauce for that had gluten. The rest of the staff that waited on us were very friendly and attentive to my needs. When the waitress brought my meal, the chef had added some special sauces that sans gluten to substitute for the one I had to forgo.
All in all, my brunch at Dierk's was enjoyable and one of the highlights of my trip to California.
There that's my first attempt at writing about celiac's and the woes of dining out. There most likely will be more from time to time but until then go check out Gluten-Free Girl & the Chef, for starters, or any other the many other gluten-free related blogs on the world wide web.
http://www.dierksmidtown.com/
Sunday, January 19, 2014
Wednesday, January 1, 2014
Vision 2014
Every year, and in fact with every opening of a show, I draw an angel card. You know the ones that have a particular spiritual based word that is supposed to show a little of your purpose for the upcoming day, month, year, etc. This last year for 2013 I drew creativity and what a year of an abundance of creativity it was; four plays, three films (small parts but you got to start somewhere), a radio play (which we need to redo), acting lessons, personal and community voice lessons, a ton of play readings, and my debut as a vocal coach. This past month, I drew vision, which was particularly poignant as the last show I did, Light Sensitive, was about a blind guy (played by that Michael guy I'm in love with). The word, vision, got me thinking of what my goals would be for 2014 and more or less what 2014 would be like, and hoping beyond hope that it would be more amazing than 2013 proved to be.
Now, I always take the idea of New Years' resolutions with a grain of salt, as I think the rest of us are prone to do, however, like all of us, I do find myself getting a little introspective about the year that has passed and thoughtful in pondering the year to come (without trying to make too many promises or overly ambitious goals for myself). More so, I am more reflective on the intensity of 2013 for its great losses and great gains. For what I have learned, with great loss comes even greater gain. For starters, this year I have been blessed with finally coming into my true calling as an actress and even more reinvented myself with the new name. A rose by any other name would smell as sweet is more true than ever imagined.
Furthermore, I think that the year 2013 can best be summed up with the song, "This is the stuff" by Carolyn Arends. As Carolyn croons, several lines resonate within me, "love and heartache in between", "friends to keep you up all night laughing till you cry", and "dreams to dream, plans to make", those and more naturally reflect what that year became and how it will be remembered.
http://www.youtube.com/watch?v=4q9PE8Qy8Ko
So, what is my "vision" for 2014? Well, for starters, some are great, some are small. Some seem more attainable than others but all at this point in the game all are dreams to be fulfilled, such as to continue in theatre & film, become a better singer, get one of my plays produced in some fashion at last, become debt free, save money, and travel more. All attainable, hopefully yes. Will they be? Who knows but the point is only to hope and to never give up dreaming, while still taking life one day at a time. At the end of it all, I may not have achieved all that I set out to do but what I did will probably be even more than I can imagine, and really, isn't that how it always is?
At the most, I dream this new year will bless me with more love, more laughter, more light, a few tears, but many friends and loved ones with whom to share my days, dreams, and hopes.
Now, I always take the idea of New Years' resolutions with a grain of salt, as I think the rest of us are prone to do, however, like all of us, I do find myself getting a little introspective about the year that has passed and thoughtful in pondering the year to come (without trying to make too many promises or overly ambitious goals for myself). More so, I am more reflective on the intensity of 2013 for its great losses and great gains. For what I have learned, with great loss comes even greater gain. For starters, this year I have been blessed with finally coming into my true calling as an actress and even more reinvented myself with the new name. A rose by any other name would smell as sweet is more true than ever imagined.
Furthermore, I think that the year 2013 can best be summed up with the song, "This is the stuff" by Carolyn Arends. As Carolyn croons, several lines resonate within me, "love and heartache in between", "friends to keep you up all night laughing till you cry", and "dreams to dream, plans to make", those and more naturally reflect what that year became and how it will be remembered.
http://www.youtube.com/watch?v=4q9PE8Qy8Ko
So, what is my "vision" for 2014? Well, for starters, some are great, some are small. Some seem more attainable than others but all at this point in the game all are dreams to be fulfilled, such as to continue in theatre & film, become a better singer, get one of my plays produced in some fashion at last, become debt free, save money, and travel more. All attainable, hopefully yes. Will they be? Who knows but the point is only to hope and to never give up dreaming, while still taking life one day at a time. At the end of it all, I may not have achieved all that I set out to do but what I did will probably be even more than I can imagine, and really, isn't that how it always is?
At the most, I dream this new year will bless me with more love, more laughter, more light, a few tears, but many friends and loved ones with whom to share my days, dreams, and hopes.
Wednesday, December 4, 2013
The "Light" Heals the "Sensitive"
I am Edna Miles. I am a 38 year old woman still living with my parents in New York City, on 85th and Madison.
When I was 12 years old, I came down with polio which left me with a slight limp and other deformities. Despite these infirmities, I was quite well and socially adjusted, or just buried the psychological trauma and guilt from my father's mental and physical abuse, however, when I was 16 my brother, Andrew, became sicker due to a complication with diabetes. Due to my guilt for taking away his treatment from him when I was sick, I became his caretaker. Through this, I learned how to nurse "terminal" patients by his nursing staff. I graduated high school but did not immediately go into university until my brother passed when I was 20.
At that age, I went back to school, assuming that I would study to be a nurse, as according to my father that's all I could do and what was acceptable for me. However, I was never very good in my science classes or my pre-reqs because my heart was never in this.
When I was 21, my father set me up with Gary, a son of one of his associate partners at his law firm. This was seen as an appropriate marriage arrangement for both families. Gary had a slight learning disability which made him socially awkward but in the time we spent together he began to bloom. I dropped out of college at 22 to plan for our wedding, however, two weeks before our wedding I found him in bed with another woman. I assumed that his unfaithfulness was due to the fact that I wasn't pretty enough, due to my deformity.
After that time, I buried into myself, my church, and my familial obligations. Several family members got sick and I became sole caretaker until their deaths. I felt as if I had let my family down in so many ways and became more and more downtrodden as I believed the garbage my father threw at me. However, deep within, there is still a spark of strength and hope....
Choosing to get involved with the "Lighthouse" is my last ditch effort to prove my own self worth and go beyond what others think of me.
My inner desire is to be the object of one's own affection and that of others. I seek to be truly seen and accepted for who I am, not what I am supposed to be my others' standards. The goal for all of us in this story is to escape the suffering and madness that is our own reality and strive to be believe in love and hope.
I learn through my time with Tom that I am a bringer of hope and healing as I have found my own strength to heal and persevere with the eternal hope. Through my own healing, I am able to pass that hope onto others and to allow them to find their own hope and healing.
I am the Wounded Healer.
Theatre Convivio's "Light Sensitive" opens December 5th at 8:00 pm and runs through December 22nd.
https://www.facebook.com/events/236732986488050/?ref_dashboard_filter=calendar
When I was 12 years old, I came down with polio which left me with a slight limp and other deformities. Despite these infirmities, I was quite well and socially adjusted, or just buried the psychological trauma and guilt from my father's mental and physical abuse, however, when I was 16 my brother, Andrew, became sicker due to a complication with diabetes. Due to my guilt for taking away his treatment from him when I was sick, I became his caretaker. Through this, I learned how to nurse "terminal" patients by his nursing staff. I graduated high school but did not immediately go into university until my brother passed when I was 20.
At that age, I went back to school, assuming that I would study to be a nurse, as according to my father that's all I could do and what was acceptable for me. However, I was never very good in my science classes or my pre-reqs because my heart was never in this.
When I was 21, my father set me up with Gary, a son of one of his associate partners at his law firm. This was seen as an appropriate marriage arrangement for both families. Gary had a slight learning disability which made him socially awkward but in the time we spent together he began to bloom. I dropped out of college at 22 to plan for our wedding, however, two weeks before our wedding I found him in bed with another woman. I assumed that his unfaithfulness was due to the fact that I wasn't pretty enough, due to my deformity.
After that time, I buried into myself, my church, and my familial obligations. Several family members got sick and I became sole caretaker until their deaths. I felt as if I had let my family down in so many ways and became more and more downtrodden as I believed the garbage my father threw at me. However, deep within, there is still a spark of strength and hope....
Choosing to get involved with the "Lighthouse" is my last ditch effort to prove my own self worth and go beyond what others think of me.
My inner desire is to be the object of one's own affection and that of others. I seek to be truly seen and accepted for who I am, not what I am supposed to be my others' standards. The goal for all of us in this story is to escape the suffering and madness that is our own reality and strive to be believe in love and hope.
I learn through my time with Tom that I am a bringer of hope and healing as I have found my own strength to heal and persevere with the eternal hope. Through my own healing, I am able to pass that hope onto others and to allow them to find their own hope and healing.
I am the Wounded Healer.
Theatre Convivio's "Light Sensitive" opens December 5th at 8:00 pm and runs through December 22nd.
https://www.facebook.com/events/236732986488050/?ref_dashboard_filter=calendar
Friday, November 15, 2013
Substitute this!
Substitution is the power of making my acting and character development and expansion more truthful in the given circumstances and ultimately more believable.
A few years ago, when I was just starting out in the venture of life as an actress, a friend, another working actress, mentioned to her friend on Facebook that she was using him as a 'substitute' for a monologue.
As I began taking my craft more seriously and investing in classes, I kept this concept vivid in the back of my mind. Indeed the idea is prominent amongst many actors, performers, and teachers of the craft but not always spoken with the same terminology. Thus, with every substantial character I have been given I seek to decipher which of the characters can represent real-life relationships. In this, it helps to have an already keen idea of which relationships, experiences, and memories are the most meaningful and powerful to evoke the strongest feelings from myself as an artist.
In the last play I did, I played a character in an eccentric family, to put it mildly. Because of these built in structures of relationships in the context of the story, I began the task of delegating these characters to be substituted in my mind to certain significant individuals in my life. Looking back, the most heart-wrenching and the most believable, at least to me, was the character of Monica, my little sister in the play, who was envisioned in my mind as my soul-sister, Chloe. Through this, I realized and began to understand on a deeper level the friendship I have with her, that of a big sisterly protective affection. So, when one of the other characters badmouth Monica, I felt the internal urge to defend her as if someone was spewing out venom on or about Chloe. Thus, also in the second act, when Monica screams offstage as if in terrible danger, I react with the primal emotion of fear for Chloe's safety,with the underlying subtext, "Chloe, Chloe, I'm coming!" In the third act, the Monica character speaks of our dead older sister (who I substituted for a former "friend" I struggle with liking plus a former "lover" of sorts of Chloe's) with venom and I defend that person based on the real-life relationship. When Monica says, "It probably saved the country from a famine", my back story is Chloe saying, "It probably saved the stoner community from a marijuana famine" with my response being (of sorts) "He was your lover."
Similarly, I used the concept of substitution last Saturday for an audition. For the last few years, I have worked on the song (among others), "Til There Was You" from the musical, "The Music Man". Once I got the lines down with the appropriate accompanying music, I sought to find the correct focus of emotional representation. Honestly, I attempted to use the Doctor (See: Doctor Who/Whovian love) as a substitute but even though I adore him in all his regenerations this connection was not powerful enough to evoke any emotional tug on my heartstrings. In the back of my mind was always the idea to use the cast of "Working"as a mental and emotional snapshot for the song. The show, "Working" is significant to me because it was my first show, my first attempt at an actual play, testing the waters of my talent, and thus led me to find my true calling. (In a sense, you never forget your first time...). In practice, I noticed how each line rang true as a token of gratitude fueled by my memory of the time I had with this assortment of actors and other crazy people. As I walked into the theatre for the audition, I was fortunate enough to see my sister in the passion of theatre, Ella, and also a Working stiff. So, I captured her face in my heart (not hard to do) and walked into the Lions' den with renewed determination and sang that song as if to her, representing the entire Working Cast and Crew, singing a song of thankfulness for each one of their existences in my life to help fuel my driver to further my endeavors into my calling...."There was love all around but I never heard it singing....til there was you."
And now, I am at work on a new character for a new play with a full load of dialogue and monologues and thus am searching for the appropriate intentions for my character as well as substitutes of real-life relationships for the other characters. Fortunately, my male counterpart and lead is my partner in amorous affections and that mirrors the relationship in the show so there is not too much need for differentiation.
But the other character, Lou, is the main antagonist of my journey in his attempts to ruin my relationship with the lead. He, then, falls into an appropriate substitute for a friend, who I deeply love yet upon witnessing her overall conduct have developed a strong distrust and dislike. Interesting to note what a strange and complex vessel is the human heart with its capacity to love and hate in the same instance! Even though I infinitely trust my boyfriend and also, more importantly, my own strength of character and individuality, I still find a weakness and fear of my heart that she, in her insecurities and jealousies, may attempt to undermine our relationship and thus take him away from me. Thus, this is my primary motivation and driving force in my relationship with Lou. Something that I can't healthily express in real-life situations but I can use in an powerful way for Edna and help to find healing in my own heart on this matter. There is also a juxtaposition in that I can speak to Lou (substitute my real-life friend) as a mutual friend of the lead in a real matter of fact way about the positive effect I have had on the main character yet to continue to hold the distrust to fight to keep his affections...in a sense different tactics to accomplish the main goal at heart.
In closing, as a dear friend, mentor, fellow actor of the boards, and artistic director of a local theatre spoke into me in our first meeting about acting and life:
"Build up a thick skin but always, always keep an open heart!"
A few years ago, when I was just starting out in the venture of life as an actress, a friend, another working actress, mentioned to her friend on Facebook that she was using him as a 'substitute' for a monologue.
As I began taking my craft more seriously and investing in classes, I kept this concept vivid in the back of my mind. Indeed the idea is prominent amongst many actors, performers, and teachers of the craft but not always spoken with the same terminology. Thus, with every substantial character I have been given I seek to decipher which of the characters can represent real-life relationships. In this, it helps to have an already keen idea of which relationships, experiences, and memories are the most meaningful and powerful to evoke the strongest feelings from myself as an artist.
In the last play I did, I played a character in an eccentric family, to put it mildly. Because of these built in structures of relationships in the context of the story, I began the task of delegating these characters to be substituted in my mind to certain significant individuals in my life. Looking back, the most heart-wrenching and the most believable, at least to me, was the character of Monica, my little sister in the play, who was envisioned in my mind as my soul-sister, Chloe. Through this, I realized and began to understand on a deeper level the friendship I have with her, that of a big sisterly protective affection. So, when one of the other characters badmouth Monica, I felt the internal urge to defend her as if someone was spewing out venom on or about Chloe. Thus, also in the second act, when Monica screams offstage as if in terrible danger, I react with the primal emotion of fear for Chloe's safety,with the underlying subtext, "Chloe, Chloe, I'm coming!" In the third act, the Monica character speaks of our dead older sister (who I substituted for a former "friend" I struggle with liking plus a former "lover" of sorts of Chloe's) with venom and I defend that person based on the real-life relationship. When Monica says, "It probably saved the country from a famine", my back story is Chloe saying, "It probably saved the stoner community from a marijuana famine" with my response being (of sorts) "He was your lover."
Similarly, I used the concept of substitution last Saturday for an audition. For the last few years, I have worked on the song (among others), "Til There Was You" from the musical, "The Music Man". Once I got the lines down with the appropriate accompanying music, I sought to find the correct focus of emotional representation. Honestly, I attempted to use the Doctor (See: Doctor Who/Whovian love) as a substitute but even though I adore him in all his regenerations this connection was not powerful enough to evoke any emotional tug on my heartstrings. In the back of my mind was always the idea to use the cast of "Working"as a mental and emotional snapshot for the song. The show, "Working" is significant to me because it was my first show, my first attempt at an actual play, testing the waters of my talent, and thus led me to find my true calling. (In a sense, you never forget your first time...). In practice, I noticed how each line rang true as a token of gratitude fueled by my memory of the time I had with this assortment of actors and other crazy people. As I walked into the theatre for the audition, I was fortunate enough to see my sister in the passion of theatre, Ella, and also a Working stiff. So, I captured her face in my heart (not hard to do) and walked into the Lions' den with renewed determination and sang that song as if to her, representing the entire Working Cast and Crew, singing a song of thankfulness for each one of their existences in my life to help fuel my driver to further my endeavors into my calling...."There was love all around but I never heard it singing....til there was you."
And now, I am at work on a new character for a new play with a full load of dialogue and monologues and thus am searching for the appropriate intentions for my character as well as substitutes of real-life relationships for the other characters. Fortunately, my male counterpart and lead is my partner in amorous affections and that mirrors the relationship in the show so there is not too much need for differentiation.
But the other character, Lou, is the main antagonist of my journey in his attempts to ruin my relationship with the lead. He, then, falls into an appropriate substitute for a friend, who I deeply love yet upon witnessing her overall conduct have developed a strong distrust and dislike. Interesting to note what a strange and complex vessel is the human heart with its capacity to love and hate in the same instance! Even though I infinitely trust my boyfriend and also, more importantly, my own strength of character and individuality, I still find a weakness and fear of my heart that she, in her insecurities and jealousies, may attempt to undermine our relationship and thus take him away from me. Thus, this is my primary motivation and driving force in my relationship with Lou. Something that I can't healthily express in real-life situations but I can use in an powerful way for Edna and help to find healing in my own heart on this matter. There is also a juxtaposition in that I can speak to Lou (substitute my real-life friend) as a mutual friend of the lead in a real matter of fact way about the positive effect I have had on the main character yet to continue to hold the distrust to fight to keep his affections...in a sense different tactics to accomplish the main goal at heart.
In closing, as a dear friend, mentor, fellow actor of the boards, and artistic director of a local theatre spoke into me in our first meeting about acting and life:
"Build up a thick skin but always, always keep an open heart!"
Friday, November 1, 2013
Finding A Place to "Just Stay...."
I am Kira Jones, (my maiden name). I am 27 and a young mother of two, with another on the way. Some have called me strong and spirited, but for my part, I just do what I have to do based on what life throws my way.
I was born in the Midwest in the state of Kansas, in a small conservatively minded town with one school for all grades, one firehouse but no police station except the sheriff who came in from the county. An unincorporated town too small for a mayor but too big for its britches, the locals say.
I was born into a fundamentally Christian family with strict rules that restrict even the ability to breathe freely. I am the oldest of the four younger brothers which I pretty much raised.
I left right after high school (I thought that was my only way out of there). Spontaneously, the night of graduation, got my diploma, walked off stage, threw my cap, and rode off on the back of a harley owned by a guy named Biff, with nothing but a backpack full of clothes, a toothbrush, a wad of cash, and my favorite book, "Walden", and a sleeping bag.
We went to Napa, California where Biff abandoned me after impregnating me. I aborted that child...because I had to...but it left an aching need in my heart for a family--
I worked as a migrant worker and a cashier in a local deli and occasionally took some classes at a local Junior college but dropped out because the classes were too dull, not to mention, too easy. I experimented with anything offered to me from pot, mushrooms, LSD, or different sexual partners of both genders.
I met my ex-husband at a coffee shop on a break from work. He was with all his friends. We started hanging out and he gave me a place to stay when I got kicked out of my place. He was studying to be a cop, which was a strange occurrence in my circle of friends. We married in under a year and when he had finished his schooling we moved to Oregon. He began his career and shortly after we had our first child.
...In that first year of marriage, there was a lot of screaming and throwing of things, I didn't leave at first because of the pregnancy and then the baby and besides I didn't know where I could go, thought it would somehow work itself out...but when the child was two, I could no longer take it and I found a way out...
I am searching for a place to land, a place where I can "just stay"...
If you want to learn more about me, look for me in the upcoming local film written and directed by Dru Haskin, "The Last Tipi Village." (Filmed by Ross Williams & Kristopher Ballard)
Sunday, October 20, 2013
What am I fighting for? How am I going to get it & win?
One thing that I have been particularly mindful of with the latest show, "A Tomb With the View" is the idea of "tactics". The principle of this is that every human has basic needs they are fighting for and these tactics are the tools used to obtain that need. There are also underlying reasons why these need to be met, be it physical, emotional, or mental. It is my job as an actress to become the character in so much that I understand completely her reason for that need and, as all of my acting coaches plus all the multitude of books for actors say, to "raise the stakes' in obtaining that goal in a believable and realistic fashion based on the given circumstances.
In fact, the main emphasis of an actor or an actress should be to completely invest oneself in the story-line of the play or film and the relationships their character has within the play/film so that it appears to mirror that of real-life, no matter how fantastical it may be. Furthermore, tactics and needs of the character should also be individualized based on a real relationship unique with the other characters.
In a sense, the questions must be more than just "Who am I?" but "What do I need in this scene?" and "What are the ways i am going to obtain it?"
This will then make not only the character more believable and more relate-able but so to will make the story of the play or film more powerful to the audience and the other cast-members.
In fact, the main emphasis of an actor or an actress should be to completely invest oneself in the story-line of the play or film and the relationships their character has within the play/film so that it appears to mirror that of real-life, no matter how fantastical it may be. Furthermore, tactics and needs of the character should also be individualized based on a real relationship unique with the other characters.
In a sense, the questions must be more than just "Who am I?" but "What do I need in this scene?" and "What are the ways i am going to obtain it?"
This will then make not only the character more believable and more relate-able but so to will make the story of the play or film more powerful to the audience and the other cast-members.
Friday, October 18, 2013
Controller: Or How My Life Went Out of Control!
Hi, my name is Liza and I am a woman in my mid-twenties, a young, very healthy woman in my twenties with some very very basic needs that are currently not being met because...
I feel responsible for the demise of my parents' crumbling marriage, that it is partly my fault for not holding up my end of the bargain as I promised I would. I feel guilty, as the psychologists would say, for having my own need to develop as an individual apart from my parents.
Thus, I feel the need to make it up to them by giving my dad a place to stay at my house and doing what I can to stop the enmity between them; to save their marriage and to hopefully reestablish my struggling and very hungry libido.
Things come to a head (LOL! She said "head), when I can't even get my own father to come to his mother-in-law's funeral which causes even more division between my folks. After weeks of trying, I am at my wit's end, heightened even more so by the long absence of personal time with my boyfriend, Jeff (and by personal time, I mean...).
I am feeling very frustrated and in need of a good roll in the...consequently unable to think clearly to plan a good attack.
Enter Jeff, my wonderfully faithful boyfriend with a brilliant plan that just might work! To find out what, come and see this Saturday & Sunday, October 19 & 20, at Paschal Winery. See link below for more information!
https://www.facebook.com/events/578985095472463/?ref=2&ref_dashboard_filter=calendar
I feel responsible for the demise of my parents' crumbling marriage, that it is partly my fault for not holding up my end of the bargain as I promised I would. I feel guilty, as the psychologists would say, for having my own need to develop as an individual apart from my parents.
Thus, I feel the need to make it up to them by giving my dad a place to stay at my house and doing what I can to stop the enmity between them; to save their marriage and to hopefully reestablish my struggling and very hungry libido.
Things come to a head (LOL! She said "head), when I can't even get my own father to come to his mother-in-law's funeral which causes even more division between my folks. After weeks of trying, I am at my wit's end, heightened even more so by the long absence of personal time with my boyfriend, Jeff (and by personal time, I mean...).
I am feeling very frustrated and in need of a good roll in the...consequently unable to think clearly to plan a good attack.
Enter Jeff, my wonderfully faithful boyfriend with a brilliant plan that just might work! To find out what, come and see this Saturday & Sunday, October 19 & 20, at Paschal Winery. See link below for more information!
https://www.facebook.com/events/578985095472463/?ref=2&ref_dashboard_filter=calendar
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