Showing posts with label fine art. Show all posts
Showing posts with label fine art. Show all posts

Thursday, July 6, 2023

Purity Culture Survivor to Life Model Thriver #exvangelical #exfundie #purityculture #artmodel

 

First, I find it important to express that the society of the United States has long been one governed by a patriarchal and even a puritanical worldview, stemming from the country's origins and history.  It is a battle continuously fought against this day by feminist and allies alike.  However, this underlying theme has influenced one of the most popular of world religions to manifest in ways, although on the surface seem positive, hold a controlling element of demeaning toxicity.  I speak that of the Fundamentalist Christian or Mainstream Christian Right's emphasis on 'purity' in all things, such as modesty in clothing and attire, guarding one's virginity towards marriage, and remaining pure in one's overall conduct so as to be 'above reproach'.  

Although a long held belief by Christian Extremists, the Purity Culture truly took root and began to flourish in the 1990s.  With the backdrop of the AIDs epidemic, Christian leaders and parents saw that as an opportunity to sharply condemn sex outside of marriage as a reasoning for the reality of sin's destruction.  As I type, I find myself wanting to share something positive about the overall Purity Culture, in order to not to seem bias.  Yet, all I can recognize is that the need to protect one's children from the horrors of disease or other outside troubles is at its core understandably noble in its own way.  But, as the years went by, the AIDs epidemic became less of a threat, yet the Purity Culture and the Christian leadership ramped up its vitriolic control, in the guise of love, the effect of which left those taught with an ample supply of body and sexual fear, shame, and guilt.  

And, thus was I.  This is my story.

I wasn't raised Christian, or of any faith, for that matter.  Although in my early years of childhood, I had some belief of 'God', like the cartoons pictured him in a long white bearded dude, in a white gown, floating around in the clouds.  Later on, in high school, I spent summers pouring through books on Buddhism and most notably Wiccan and Paganism.  My pathway towards Christianity was marked with an overall interest in being a seeker of 'something else' coupled with an increasing degree of unresolved pain from lifelong abuse and feelings of neglect.  Constantly seeking outside for some connection, a savior to rescue whether a boyfriend or something else, I found myself falling into the organized religion of Christianity in the brand of my college's town local branch of 'Calvary Chapel'.  On par with my need for outward protection and love, my not good at all college boyfriend dragged me to the church and then proudly proclaimed how he 'led me to the lord' to all we knew.  I don't want to give an overall 'testimony' of the highs and lows of my journey through Calvary's form of Christianity and its effects, I have done so in previous blog entries, but I do feel it of import for this entry to state that as much as I sought outwardly for some rescuer, I pushed all authentic connection far from me out of my own fearful insecurities of letting others into an already damaged heart.

In short, I was ripe for the teachings of the 'purity culture'  and its weaponized usage of the teachings of Jesus.  And, thus it did.  When I became a Christian at age 22, give or take, I had already committed the act of premarital sex a few times, rather, I was not a virgin.  Indeed, the not good at all college boyfriend and I continued to have a sex during the time while he professed outward purity to his Christian friends, in addition to his rampant alcohol and drug abuse, inability to hold a job, manipulation, emotional abuse and control, etc, etc, etc.  Furthermore, my dress was that of what was popular in society at the time for young ladies my age, not over all sexual or immodest, but short shirts, shorts, skirts that showed just the slightest bit of skin or even cleavage and was hitherto seen as scandalous.  I must add, that since the development of puberty my body has always been that of 'Barbie-Doll like', large breasts, no waist, nothing else.  Increasingly, I was taught that my body was a trap for men and boys, that I had to be responsible for their weakness, and that they could  not control themselves.

A few years into this, I attended a Purity Conference with a high/middle school youth group of which I was a counselor.  At one point, the boys were ushered off to another room while the girls and women were lectured by a twentysomething junior pastor about why they should dress modestly, comparing our cleavage to a boy's loose pants signifiying how his butt crack seemingly would be as distracting as our revealing shirts.  We all laughed together as much as I cringe today.  Later, back together, we all bowed in prayer, asking God for help to remain pure for ourselves but mostly for others.  As the years tumbled forth and I became deeper in my mental health woes, my body felt like a weapon against my battle to remain pure, I at fault for every time a man 'stumbled' into sexual sin or lust.  As I progressed I developed body dysmorphia and anorexia, I began dieting and exercising excessively with the attempt to stem off the pain and reduce my body to a size more like a child then a sexual object, for my protection as well as the men of whom I had become a Jezebel.

Added to that, I continuously found myself engaging in relationships with men that were controlling, thus enter my husband, he of the worst of abusive past relationships.  Breaking up with him, kicking him out of my life, was the first brick to crumble away from those that sought to minimize and control.  During my marriage and then increasingly after, I began my long held dream of 'nude modeling'.  It was a dare at first, could I do it?

In the early days of modeling, I faced a bit of a backlash, not just from the former Fundie world I had newly emerged, but from society at large.  Nudity and posing nude in our society at large is likened to 'sex-work', although being an art model is so far removed from anything related to sex that they are all barely in the same category.  The reality that a 'nude' art model whether for fine art or photography is seen as sexual or even scandalous is a mark against this country.  With the Hollywood enforced ideal 'beauty', shame is felt for those who don't measure up, whether realized outward or felt inward, and thus the inability to feel comfortable in one's skin, let alone nude in front of an artist and random assortment of strangers in an art class.  (I ask you, how do you think the women in the paintings you love to view at a museum even got there, did they just come out of the painter's imagination?)

Thus, in the early days of my modeling career alongside my deconstructing from fundamentalist Christianity and the effects of such, I doubled down against those who scandalized and sexualized art modeling.  Buying clothing that were too revealing or sexual, for no other reason, than both that I liked it and that it could be possibly used for this career, the latter having no use for such attire.  Yet, as I continued to work, I began to find joy in hearing how the art is crafted, see the similarity of a fine artist preparation and that of an actor or writer, and along the way I built some special connections and friendships between the students and the teachers.  

Re-entering therapy during the time of quarantine, I began taking the space to heal, to prioritize, and found myself diving deep into my own art therapy journey.  Purchasing all sorts of paints, crafts, brushes, markers, crayons, colored pencils, a sketch book, and canvases, I began playing around with art for my own self.  Additionally, the modeling work began to flourish as my loyalty to the job had paid off in my relationship with the teachers.  Exercising and eating right became not about striving towards some unattainable perfection but more about being able to have stamina and longtivity in holding positions, as well as a myriad of other health benefits.  In class, I began to listen intently to the ways art was taught and think about how I could apply it in my own learning.  I started thinking about past models in history, who where they, and why weren't there any art history classes about models.  This led to a web search wherein a plethora of art models from the 1800s onward came flooding into my life, followed by reading book after book about them and their lives.  

Through all of this, I have realized that in and of itself nudity is not scandalous or sexual and that art is necessary for healing and connection for us all.  My desire to try out 'nude modeling' led me into the career I was meant to occupy, which led to my deepest of healing from the damages of toxic purity culture and society's implied beauty rules to feeling healthy and secure, positive about who I am within and without.


Wednesday, June 26, 2019

Local Art Model Isn't Afraid To Let It Roll!


Maggie Racich is local art model, burlesque dancer, actor, and director, having recently moved here with her partner, Jimmy.  She began her career as an art model in 2011 when, looking for a creative way to make some extra money, she joined a small art group.  As a child, Maggie's mother would chase her about trying continuously to re-dress her daughter as Maggie screamed "Take it off" while removing said items, thus Maggie has always been comfortable with her body and nudity.  As a child, she found a charcoal drawing of her mother's back and was enraptured by it.  Her mother explained that before children she modeled for the local community college.  Maggie loves the aspect of fine art and helping fine artists' improve their skill and birth their visions.  ( A side note: Maggie doesn't believe she is very photogenic, although with the above photo, I beg to differ.)

Following her venture into art modeling, Maggie, along with her partner, dove into burlesque dancing in 2014.  They became involved with a burlesque troupe in Michigan, one that helped empower them to create burlesque art with a circus twist.  She enjoys burlesque dancing because of the aspect of creating an art form that is participatory with both audience and dancer.  She loves the immediate audience connection and that she can be both campy and sincere in her performances.  She also admires the wide variety of talent and creativity involved with the art form of burlesque.  One of the most fascinating aspects, she believes, is finding creative ways through choreography to remove clothing and help the viewing audience feel comfortable with nudity as well as to learn to appreciate their being unclothed and feel empowered within themselves.

As an art model, Maggie loves the aspect of visual arts.  Although she herself is not inclined to that art form, she comes from a family of fine artists so she admires greatly that process.  The most challenging aspect of it, she says, is the physical aspect, finding both an interesting pose for the artist and one that won't injure her.  She believes art modeling enables her to be present with her body as well as to become meditative during the different poses.

Maggie was fortunate to come from a family that encouraged body positivity.  She also is aware that her body is in aligned with the social expectations for beauty, but even so has never really felt uncomfortable with her body image.  Because of this, she has never experienced much backlash from either art modeling or burlesque dancing, but has experienced some social disbelief and confusion from outside sources who see her as braver than them in that they would never be able to perform or model.  She is grateful for such a supportive family and upbringing that gave her such a comfortable sense of self.

However, there have been times of her life, like all of us, where Maggie has had insecurities towards parts of her body, ways that have brought her down and been debilitating to her emotional sense.  She says that at times she can show up to art modeling feeling 'gross and bloated' but throughout the session can become increasingly more comfortable and leave with a reset of a positive body image.
She realizes that in these times of insecurity and anxiety that these body concerns are not necessarily something she can change, so she has learned to love herself for who she is and how she shows up to be daily.

An artist once told Maggie, "Don't be afraid to let it roll" meaning that our imperfections are often the most beautiful facet of ourselves.

Art by Ann DiSalvo 

Monday, May 20, 2019

Beauty From Ashes: An Art Model's Story


"I feel like a phoenix," Beth exclaims with a soft smile.  

Last week I had the privilege to sit down with the actor and model (and many other artistic endeavors and talents), Beth Boulay.   Beth is a graduate from Southern Oregon University with a BFA in Theatre Arts, specifically the performance arts.  She is known for her acting work both on stage and on screen.  In addition to that, she started art modeling 7 years ago, as a means to pick up a couple bucks while in college as well as to express a long felt personal interest in the fine arts.  Working in a workshop for a long-time friend, colleague, and local artist, she was told by said friend that she was 'a natural'.  As she continued forward, she discovered how the modeling aspect became an extension of her work as an actor, especially helpful when not at work in theatre or film.  She found that the acting training, specifically in movement, helped her find the best positions as she collaborated with the artist's creative process.  In addition, she found the experience both meditative and creative herself, as she would often use lines from monologues as means to find the pose, which in turn helped her develop an understanding of the character within the context of the play.

She explains that she has felt minimal backlash from society based on her choice of employment.  Mostly, she faces confusion from both genders, as they aren't completely sure what figure modeling entails. She has found some discomfort trying to explain to potential romantic partners that fine art modeling is in no way a sexual experience. 

Any objectification she has felt has people in the classes do not draw her body as seen, but rather enhance parts of herself to fit social norms.  These, she explains, are usually less experienced artists.  She has felt sometimes disrespected when participants are not cognizant of her time, rather than spend it with the intended purpose of created art, they idle away the time chatting or being social only, which in turn lends itself to their running out of time on a portrait and wanting her to "go over" the allotted time of the class.

In addition, she has encouraged women friends to pursue this line of work themselves.  Women friends find this choice of work to be "something they could never ever do" and see her as "very brave".  She feels herself an advocate for women and men everywhere.  All are welcome, she says.


All are welcome, she says.

Art classes, she explains, are incredibly relaxing environments, where she feels completely at peace with herself and in connection with the artists.  She has found incredible respect, appreciation, and understanding for herself from the artists which has enhanced her overall self confidence and body image.  To explain, when she started  modeling 7 years ago, she found herself at a healthy weight.  But then, she began increasingly gaining weight, up to 25 pounds.  Unlike the outside world, the artists she worked with expressed how beautiful her belly was which helped her appreciate the beauty of herself no matter the weight, shape, or size.  Later, the weight started dropping off at an alarming rate.  As the outside world commended her on this, it was her artist friends that questioned her about this, looking more at her health rather than her body image.  In a very real sense, they saw her for who she is, not how she looks.

Modeling has become a means of healing and emotional awareness, as she can be vulnerable and open with her artist friends.  She has increasingly found the classes to be safe places for her to bring her struggles and find a community to uplift and sit with her through the pain. 

One class in particular occurred after a breakup and as the tears fell down her face, an artist was able to capture the moment in a beautiful truthful fashion.  (That image has been showcased at galleries around the area, been featured on the front page of the paper, and given as a gift from her father to her mother.)

"I feel like a phoenix," Beth exclaims with a soft smile.