Showing posts with label Peter Capaldi. Show all posts
Showing posts with label Peter Capaldi. Show all posts

Monday, November 23, 2015

"Let Me Be Brave!"

Or, Why I Like Clara Oswald




A lot of Whovians out there have expressed strong dislike for Clara Oswald, played by the talented actress, Jenna Coleman.  But, I liked her from the start and when her casting was first announced, I believed this actress was to reach Billie Piper status in Doctor Who history.

Well, due to the majority of Whovians dislike, I don't think she quite made it to that point, for many.  Yet for me, I give her a positive thumbs up in that direction.

Why?

First, as Jenna, she's a talented, well-rounded actress.  But, as Clara, well bear with me, as I give my reasonings.

A lot of viewers found the new-Who series under the guidance of the man, Steven Moffat, to be down-right sexist.  So, in addition to watching the show as a pure fan-girl, I started looking for that element in the writing.  Not only did I not see this, but I saw the opposite.

Women were lifted up, for the first time, in Doctor Who history as never before.

If the doctor or a male companion tried to protect or shield a female character, that woman would deny that and stand up for herself, showing an element of bravery never before seen in previous Doctor Who series.  Yes, I recall the Doctor helping Rose, Martha, and even Donna to achieve their full purpose yet that wasn't without the constant assistance, supervision, and protection by himself as almost a Savior-Complex.

So, what about Clara?

In all her four years traveling with the Doctor, in whatever role whether as Oswin or as a Victorian maidservant, Clara never really succumbed to Doctor-Worship but gave him back what was his due.  Not only that, but on several occasions it was Clara who helped rescue the Doctor or assist him as an equal in whatever the problem was that needed solve.  As an equal, mind you!

In one episode, the Doctor trapped in a shrunken TARDIS has to succumb to Clara for complete control.  As she took the sonic screwdriver and deposited the space-ship in her knapsack, she joyfully commented, "So, I'm the Doctor now?" and then proceeded to orchestrate the 'saving of the day' in true Doctor Who fashion.  Some might complain of this, that the Doctor is becoming less important, more like a goofy clown in the background, but my point remains, its to lift up the women companions as strong and independent and not weak, submissive or needy.

To that I say, Go, Moffat, Go!

In addition to this, Clara kept a strong sense of femininity, both in style and in attitude.  She was a schoolteacher, a care-taker to the young and those in need.  She was compassionate and allowed herself to fall in love with Danny Pink.  Yet she remained clear-headed, intelligent, and strong despite these traits.  In fact, she proved that femininity, including sexuality, was not a lack of feminine power and strength but a part of it.



Clara was a woman and more than that a human being equal to not just the Doctor but to her male counter-parts.  Able to allow herself to be vulnerable emotionally as well as fully capable to show her intelligence and strength, Clara represents the symbol of not only the New-Whovian female companion but of the new feminism.  One of which says that in order to be a feminist, you need not give up your desire to "be a girl", in a sense, "hide your femininity", but that can be used as an asset to the cause.  Therefore, it is possible that the dislike of Coleman's character is an inbuilt dislike of feminism.

Her final words, though full of vulnerability and fear, maintain her determination to stand strong: "Let me be brave!"


Deemed the Impossible Girl, Jenna Coleman's character, Clara Oswin Oswald, is proof that future female companions and girls throughout the world can be anything but that.


Wednesday, September 2, 2015

I'm not Fred.


Well, I was rescued.  By the doctor, my doctor.  But, only now in his 12th regeneration.  He's been around a bit since our last meeting.  And what a reunion it was.

Let me explain.  I passed out after being given a sedative by the officers on the tram.  The doctor flew in heroically rescuing me in his Shiny Blue TARDIS, so strange yet so familiar.  I felt suddenly at home, more ever than any other I 'd been.

At first, I was taken aback.  It was all true, the dreams and whatnot, all of it.  But, I still couldn't wrap my head around the how.

The Doctor, not so dashing rather bumbling, had dashed into my flat and retrieved the dress and the fab watch, which he promptly returned to me upon awaking in his presence.

He coaxed me to open the watch, that it would explain everything.  When I finally did, hesitantly, it all became clear, who I was and how this all came to be.



I am Romanadvoratrelundar the Fourth, or Romana if you'd like.  But, please not Fred, anything but that.  Turns out, I had to take on the persona of Jane, give up my time-lady existence in order to hide from the forces of the Universe that wanted what I had in my possession, the Key of Time.  

My TARDIS had crashed to earth, colliding with that very same metro, the one from the aforementioned accident Justin had told me about.  

Taking on this existence, I had put out of my consciousness, save for the inner, the life of Gallifrey and that I had left behind, seemingly.  My mum and dad, then, were part of the plan, keeping me safe from finding out or revealing myself to the evil out to get me.  

But, for now, I am safe.  And, as I swirl off into the great beyond, the Doctor by my side, I leave with this lesson imprinted upon my hearts, thus pass on to you:

"Time is universal, free-flowing.  We can at once be connected to the past as to the future in this moment, all is one.  All is happening forever at one time.  Dreams do come true, will come true, are coming true.  Do what you love, be who you are, never compromise.  Follow your bliss and don't hide.  You, as we all are, were born for a destined purpose.  Seek that and that alone."